This large 3 panel painting was an abstract commission that utilized automatic drawing – the process of creating as you go. Measuring 6′ x 12′, the piece was inspired by both Cy Twombly and Claude Monet, with large color fields and abstract explosions of color that melt down the piece.
Acrylic / Oil on Board.
This large slab was not filled on the edges to take advantage of the interesting live edge. Thus, it creates drama with a narrow to wide taper as you move across the slab. Black matte epoxy fills the interior spaces and the slab is finished with tung oil and wax for a low subtle gloss.
This large cedar slab table was created by my father. His goal was to create something that would fit in a broad range of applications – rustic and modern alike. The chunky cedar top is finished with tung oil for a subtle matte finish.
This mesquite slab was ravaged by nature – both the elements as well as a bug infestation. But the damage done by the elements proved to form the perfect setting to reinforce the slab with epoxy and expose all of the rough elements.
Finished with tung oil and wax for a low gloss finish.
This table’s experiment relies on an open epoxy corner joining with a slab of mesquite wood. Turquoise dye was added to give the epoxy it’s color. The steel base supports the piece while leaving the translucent corner open and floating.
